Collage in itself acts as a metaphor for how peoples’ identities are formed: a creation made up of materials from varying sources – similar to how one’s life experiences are amalgamated to shape an identity. By appropriating popular British culture and fashion magazines, it re-contextualises our social influences and challenges human, and more specifically, British constructs of identities. As magazines portray an aspirational perspective, naturally these collages became a critique of the upper class, high society.